![]() ![]() As a human being, my innate nature and soul are sporadic. ![]() On top of that, we had certain people being like, “We have to make sure the album is cohesive.” I remember dealing with song selections and having this word in my head. You’re getting closer to the zone where you might be second-guessing your intuition and that never ends right. Like when people say, “Oh, it’s your first album, did you feel pressure?” “Uh, Nah.” And then the second person asks I say, “Nah.” But then the tenth person is asking if you let that sh*t seep in. The more you fu**ing talk to people, the more you risk their perspective affecting your core. I wasn’t feeling pressure when I started. Then I would love it on Wednesday and hate it on Thursday. I kept loving it Monday and hating it on Tuesday. Jessie Reyez: I’m definitely nervous and I hope it’s the best it can be, I hope it is. Speaking with VIBE VIVA, Jessie shares the tragedy of soulmates, creating Before Love Came To Kill Us, her consistent chemistry with Eminem and the perks of being yourself.īefore Love Came To Kill Us seems to be here at the right time. With love taking a new shape through apps, FaceTime dates and social media, the love songs have become more brutal with Reyez hitting every wrapped high note. ![]() The combination of mindfulness and rustic songwriting taps into a new kind of pop star for people of color today. For one, she’s not afraid to tap into her latinidad by singing in Spanish (hear the touching “La Memoria”) and incorporating the Mexican traditions of Día De Los Muertos in her new video for “I Do.” As R&B turns a new corner with acts like H.E.R., Ella Mai, and Tory Lanez topping the charts, Jessie’s abilities make her a new leader Latinx R&B heads can stan and the music industry execs can take note of. With fearless grit, Reyez takes risks like her sheroes. Lauryn Hill–two pivotal artists who Jessie Reyez looks to for inspiration. These steps would also go on to enlighten artists like Amy Winehouse and Ms. Sheila E.’s vital percussions not only inspired Prince but are also infused into the tracks by Marvin Gaye, Herbie Hancock, Diana Ross, and Lionel Richie. The release of their tender, 1986 ballad “All Cried Out” would go on to be sampled by R&B quartet Allure in 1997. Lisa Velez, known for her groundbreaking group Lisa Lisa & Cult Jam in the 1980s, released songs like “I Wonder If I Take You Home” (1985) and “From Head to Toe” (1987) in a time where Latinas were expected to sing in Spanish or constantly keep the party going with 120 bpm tunes. Women of Latinx descent have always been entwined in soul music. Despite losing to Lizzo, Jessie’s voice in R&B had finally been heard. The project, featuring sobering tracks like “F**k Being Friends” and “Sola,” earned her a Grammy nomination for Best Urban Contemporary Album at the 2020 Grammy Awards. With the release of her EP Being Human In Public in late 2018, Reyez began to align herself with other fearless women in the game like Kehlani and Normani. Jessie’s resilience paired with her unparalleled voice has kept her shining in R&B. The single showcased Jessie’s lethal songwriting skills and her bravery in a competitive, and at times, misogynistic industry. The harrowing “Gatekeepers” dropped in the middle of the #MeToo movement and pointed out a producer who attempted to pressure the young singer into sleeping with him. Her debut EP Kiddo proved this with diary-entry songs about her journey in the industry. ”I’ve been chasing this sh*t my whole life man, don’t ever think I take this sh*t for granted,” she said during a VEVO Halloween show in 2017. It made her stand out in 2016 and soon become a notable rising act and fan-favorite alongside fellow newbies like Khalid and SZA. ![]() With just a guitar and her signature messy up-down hairstyle, Jessie highlights her worst fears-giving love but never receiving it. The project arrives four years after her breakthrough hit “Figures” lodged a dagger into our musical hearts. ![]()
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